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Overall, there were an impressive number of truly transcendent films to find U. release this year, and many more that were fascinating and thrilling in their own ways.So much so that narrowing the list down to 50 was extremely difficult, and we suspect (and hope) that many of you will tell us about favorites of yours that missed the cut. dismissed a pitch for a conventional biopic structure and instead suggested making a film that captures the essence of Miles Davis’s spirit by bucking the biopic form—a film in which, as Cheadle tells it, Davis himself would want to star.Everyone got on board, so Cheadle proceeded to co-write, direct and star in what now amounts to a piece of Miles Davis fan fiction: Miles Ahead is a caper film with a refreshing sense of creative authority, chutzpah and goodwill.
—Tim Grierson in his least embraced role in a year in which he’s been part of every worthwhile blockbuster tentpole) and a reasonable-sounding description of the logic behind certain forms of bestiality.There’s a cumulative power, a headlong rush, in watching one vignette segue into another, the viewer trying to make connections between seemingly dissimilar American portraits.Other filmmakers would mount a frontal assault on the classism and racism rampant in the way we lock up so many people, but Story doesn’t want us to watch the usual images and absorb the normal statistics.Despondent about his father’s death and the tumult in his life, David turns his attention to an 11-year-old girl named Tommie (Oona Laurence), a latchkey kid from a broken home.It may be easy to compare Lamb to Lolita, but Partridge’s film is darker and more uncomfortable, devoid of the comic undertones found in Vladimir Nabokov’s novel.
After a weak year (2015), the medium came roaring back in 2016.